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Visions & Rituals

by Veii

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1.
Coming Back 07:32
2.
3.
Upstream 05:56
4.
Tasseomancy 08:10
5.
6.
Rapids 06:18
7.
8.
9.
Depths 07:19
10.
Visions 03:47
11.
Rituals 09:45

about

At my side
Autumn weed flowers
Whisper softly -
'How dear to me
are all things that die.'

- Bokusui Wakayama (trans. Anthony Thwaite)

Depictions and descriptions of the experience of physical, remembered, and imagined places through the dual lenses of fear and fascination. The subtle shift from everyday to ominous that can occur with a change in the light, a passing thought snagged on sharp uncanniness, a daydream left out too long and gone cold after nightfall.

The self-cycling circles of thrill and terror, excitement and desperation, found in the space between storytelling and paranoia. The capacity for simultaneous beauty and foreboding in a place, and our capacity to follow that duality just too far to tell the difference.

Visions manifested, of fear, of meaning, of sensation, and the rituals of fascination, of memory, of superstition with which we bind and remake them. All are lost again. All are found again.

credits

released February 14, 2021

Composed September 2015 - January 2021

Recordings taken at:

- Coming Back (instrumental), Tasseomancy, Charon (instrumental), House of Skulls - Philadelphia, PA

- Coming Back (radio and soundscape), Charon (radio and soundscape), Bridges & Cliffs, Visions, Rituals (soundscape) - Cecil County, MD

- Upstream, Rapids, Depths - Ewell Recording Studio, Williamsburg, VA

- What Waits, Rituals - Tampa, FL

Special thanks (for the various contributions, opinions, environs, and/or shared experiences) to Wes Schaal, Breanne Long, Lauren Murphy, Christopher DeLaurenti & his sound recording class, Zach Gregg, Jay Colbert, Destiny Douglas, Jordan Almeter, Ash Wilson, Adrienne Loughton, Jenny Derkacs, Jake Loughton, Nathaniel Cope, Marco Prezioso, Harrison Montgomery, Connor Powers, Marion Jackson, Leigh Bauder, Cassandra, and the Fair Hill Nature Center

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about

Veii Pennsylvania

Various sound art media, including works for instruments, voices, electronics, and field recordings. Explorations of the cerebral and vector qualities of sound, literally and metaphorically: its shape, direction, movement, and communication. Digital manipulation generates not artificiality but new and very real qualities to the actions of listening and seeing. ... more

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